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9​/​99​-​2​/​00

by Snipe Hunt

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1.
Hold Me Down 04:03
Hold Me Down (© 1997 lyrics--Walter Ehresman; music--Scott Brannock/Walter Ehresman) [chorus] Hold me down and rub that stuff on me. I don't need your approval, and don't say that I do; Just 'cause I do just what you say don't mean that I have to. Your Cheshire smile don't mean a thing--I take a smaller view: I don't need companionship--one half is half too few. My aura is so beautiful--Nirvana is routine; My center is so centered that Mahatma's face is green; My chakra ain't infected and my bowels are just serene, and I don't need your permission to be heard and not be seen (but) [chorus] I can dance alone just fine (at least I think I do) My confidence is so sublime (I don't know what to do) Ego walks the Golden Mile (in tacky platform shoes) self-image is just self-contained (I put the blame on you)
2.
You Knock the Stuffing Outta Me (©1998 Walter Ehresman) You put the glide in my stride; You put the shine on my hide; You got me walkin' bow-legged just to keep you satisfied. Oh yeah....It's not a sight you wanna see. Oh, this friction ain't no fiction, baby--you knock the stuffing outta me. Well, the action is fast but the motion is slow-- You got to turn me 'round and point me so I'll know which way to go; Oh, no....Don't want no further injury. I'm tryin' to play it like a veteran, baby--you knock the stuffing outta me. [break] When you tell me to jump, you know I'll ask you "how high?"; When you tell me to yell, you know I don't have to try; When you bend me like Gumby, you know I'll do the best I can, 'cause a woman like you can put a vice on a man. With your bodacious bod-works and your devious smile, You know I may not survive this, but I'm goin' out in style! Oh, yeah....There ain't no place I'd rather be; You know I'm primed for reenlistment, baby--You knock the stuffing outta me.
3.
4.
Who Are You 05:42
5.
Sway 04:50
6.
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8.
U.S. Blues 04:29
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15.
Auld Lang Syne--Dancing Japanese Robot version (traditional; arrangement by Walter Ehresman)
16.
The Alien Nematode (© 1995 Walter Ehresman) Well an ugly thing it happened, last November 'round this block: the soundbyte worked its miracle, and we took it in the jock. And the men who smile when others sweat would surely do it without pay; to strut the halls and pull the strings and make us look the other way. [chorus] "A petition comes before us now" The ecology will explode! "But I think we're gonna have to let in the alien nematode." "At 70 years old, I feel, that my company and me only need 8 years, no more than 10, to ensure my pedigree." "And when my snout raise from the trough, and the spacious skies are gone-- I will sing 'My Country Tis of Thee' and leave you to the things I've done." [chorus] The experts say it shouldn't come in: parasitical overload! "But I think we're gonna choose to let in the alien nematode." It seems like its been centuries since 2 and 2 made 4; decision-maker kneepads crouch at the foot of the gilded whore. And if we can't distinguish what it is from what it seems, then we all deserve an iron lung on this orbiting latrine. [chorus] The fish, the Gulf, the boats will die; "But the check is in escrow." So I think we better learn to love the alien nematode. [break] Well I look for spark behind their eyes, humanity or guilt or soul; But their lizard lids, they do not blink--just two quicksand vacant holes. Well, the critters they are here now, and it seems that we'll adjust: to play the gracious hosts for them as we sit at the back of the bus; And the Chairman and the nematodes have no regrets, you see--they've formed a symbiosis, and are steaming for the China Sea. [chorus] The creatures swam right up inside and made a comfy home; Of the two of them, I pity most the alien nematode.

about

(click on any song title to get more information on that song, and to download it individually).

Notes from Walter, August 2017:

In early 1999, the Austin band Snipe Hunt put out its first album, "We'll Be Right Back!" (available on this website). While I feel like we captured some powerful performances in an album made up of all original songs, the process opened up some deep fissures between some of the band members. In September of the same year, the rhythm section told Vic and I "We don't want to gig anymore, and we don't want to practice anymore." This was partially a relief to me, since I was the only one to ever get us any gigs or even attempt it (a process that isn't that much fun in a musician-saturated town like Austin).

So I replied, "Well, what is it that you actually want to do?". They told me they wanted to record, but they didn't have any material. I said "We only have two of my songs that didn't fit on the first album.....what else would we record?". They said that they wanted to record the cover songs we had been doing in our live sets. I had never considered doing that but given that the alternative seemed to be breaking up the band on the spot, Vic and I agreed.

And so you have the results before you now, the rare second Snipe Hunt album "Dirty Ditties and Cover Tunes: 9/99-2/00", the final album of the four-piece version of the band. This was only ever intended to be something that we made available, in VERY limited quantities, at live shows. As it turned out, there WERE no more live shows with the four-piece.

With relationships strained, we were able to do six months of recording before everything exploded in acrimony. At that point, Vic and I continued the band as a (very harmonious) duo and released one more Snipe Hunt album--"I Saw the Future (But the Damn Train Hit Me Just the Same)" in 2002 (also available on this website).

Listening back to "Dirty Ditties....." now, it's amazing that the songs have so much power and passion, given the very bad feelings in the band at the time. Then again, maybe that was the engine for the record. Quien sabe? At any rate, I'm proud of these recordings and how they don't pursue obvious versions of the cover songs. There's a lot of raw emotion here, and I think they hold up well today.

I used the opportunity of this album to include five bonus tracks of cover songs that I had recorded by myself in the studio back then. In my musical career I have very rarely recorded cover songs, but these were just spur-of-the-moment projects I did on rainy Sunday afternoons for the sheer fun and challenge of it.

Also included is a final bonus track that is a real rarity by the four-piece version of the band. I had written and recorded a song called "The Alien Nematode" for my 1996 solo album The Blue Shoat Special!, and Snipe Hunt had performed it live once or twice. The song was about an incident I had read about concerning a Taiwanese company that wanted to farm eels on the Texas coast and allegedly used political influence to ram the environmental permit through when it was reported that the eels were infested with nematodes that were non-native to Texas waters and would become a problematic invasive species.

Yeah, I know, a weird subject for a song......

As we were recording the Dirty Ditties album, the bass player unexpectedly said one night "let's record a new version of 'The Alien Nematode', but using all Rush cliche's." That was such an off-the-wall idea that we set aside the other song we were going to record that night and instead dove into doing a radical reinvention of my song using what we considered to be the trademark elements of the Canadian band Rush throughout their long career.

We finished the whole song that night, and I can testify that my early-period Geddy Lee vocals might have been more persuasive had we not done so many re-takes. That's a awfully high falsetto......I had more luck with the mid-period Geddy vocals that I emulated in the break section of the song. The outro steals from ELP for reasons that escape me now.

And so that's the story of the album. It's offered here as a historical record, downloadable for free. You can get a feel for how that band interpreted the songs of others, and thus see a different side from the all-original material on the first album. Plus, they're fun songs to crank at a party.

credits

released March 1, 2000

Produced by Walter Ehresman at Snipe Bog Studios, Austin, Texas.

Mastered by Kurtis Machler at Million Dollar Sound, Austin.

Snipe Hunt:
Walter Ehresman: vocals, lead guitar, keyboards, percussion, MIDI guitar; Vic Ramirez: vocals, rhythm guitar, percussion; Scott Brannock: bass guitar, vocals, percussion; Pat Devaney: kit drums, percussion, vocals.

p. 2000 Brannock/Devaney/Ehresman/Ramirez.

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Some rights reserved. Please refer to individual track pages for license info.

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about

Walter Ehresman San Miguel De Allende, Mexico

Called "the quintessential Austin DIY artist" by famed local disc jockey Charlie Martin , Walter Ehresman was an eccentric presence in the Austin music scene from the '80s until his 2015 move to Mexico. A prolific songwriter, multi-instrumentalist and recording artist...and a restless musical spirit, always looking for something new, expressed with fearlessly honest, socially-conscious lyrics. ... more

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